Releases for Passiontide, Lent & Easter


Dear friends of audiophile music,
Dear friends of K&K,

view herunder our selected releases for Passiontide, Lent and Easter.
We wish you a joyful easter time and a lot of pleasure with these remarkable releases.

With kindest regards
Josef-Stefan Kindler & Andreas Otto Grimminger
K&K Verlagsanstalt, Germany

Spotify
Buddhist Shõmyõ & Gregorian ChantsBuddhist Shõmyõ & Gregorian Chants
Musica Sacra
Buddhist Shõmyõ & Gregorian Chants
Musica Sacra ~ A dialogue of two spiritual cultures
based on the musical repertoire of the Buddhist and the Christian tradition,
performed by the Ensemble Schola Gregoriana Pragensis
and "Gjosan-rjú Tendai Sómjó" (Buddhist Monks from Japan)
Conductors: Saikawa Buntai and David Eben
The live-recording of a concert in the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · c. 73 Minutes
CD
EUR 22,00SpotifyApple MusicAmazon Digital MusiciTunes MasteredFor...HDtrackseClassical HDQobuz HDPresto Classical HDReview
***** Amazing - The best of YouTube video!
A listener on YouTube
Review
***** Beautiful
This is stunningly beautiful, particularly track 14. I liked it so much I plan to purchase a couple more for gifts.
Susan B. at Amazon.com
Review
***** Highly recommended
The Tendai monks and the Schola Gregoriana Pragensis ensemble have created a wonderful recording resulting from their mutual collaboration at concerts and liturgy in Prague in 2000 and on tour of Japan in 2005. These meditative encounters focus on interesting contrasts in the two musical languages and expressions, at the same time seeking common elements present in both traditions. Parallels can be found in the recitation of the sacred text or in the interpretation principle of alternating a soloist with a choir, which overlaps the boundaries of confession repertoires. Another striking feature is the tonality based on the pentatonic scale appearing both in shomyo singing and Gregorian chant. This unique collaboration has produced music of mesmerising beauty and intensity. Highly recommended.
New Classics UK
Review
Qobuz Hi-Res Audio
Awarded by Qobuz with the "Hi-Res Audio" March 2012.
Qobuz
Review
***** Raises your spirits and nourishes your soul
Beautiful music. Raises my spirits and nourishes my soul.
Linda Hayes on Amazon.com
Review
I was very moved by these performances
Since chanting-monk CDs are all the rage nowadays, K&K Verlagsanstalt decided to issue this disc of a special concert given at the Maulbronn Monastery in 2008. This concert, sponsored by UNESCO, combined the music of Tendai Buddhist monks from Japan with the Schola Gregoriana Pragensis choir, founded in 1987 in what is now the Czech Republic. The aim was to have the religious chants and hymns of both religions complement each other and create a multi-religious ambience redoubled in effect by the atmosphere of the surroundings.
The experiment works very well indeed. Initially, the two choirs alternate their chants, the Westerners more formal in structure, the Easterners more fluid in theirs. It was interesting for me to hear Japanese monks as compared to Tibetans who are much more familiar here in the U.S. The Japanese monks all chant in a higher pitch, more in the tenor range, although some of their members are capable, as are Tibetans, of "chording" with the voice from time to time. As for Schola Gregoriana Pragensis, they are quite simply a beautiful-sounding group with great feeling in their singing.
As the concert progresses, both choirs begin combining their religious chants to fascinating effect. Despite the musical and cultural differences, everything blends surprisingly well.
This is an excellent recording in every respect and in its own way more universal than many such "chant" CDs out there. In the spirit of the music presented, I feel a little odd recommending the disc, but as you can probably tell I was very moved by these performances.
Lynn René Bayley, Fanfare Magazine
Gregorian Chants · Veri Solis RadiusGregorian Chants · Veri Solis Radius
Ensemble Vox Nostra
Veri Solis Radius
Musical networks in medieval Europe
Gregorian chants from the 12th & 13th century,
performed by the Vocal Ensemble Vox Nostra:
Amy Green · Susanne Wilsdorf · Ellen Hünigen
Werner Blau · Burkard Wehner (Musical Director)
A concert recording from the church
of Cistercian Abbey in Eusserthal (Germany)
HD Recording · DDD · c. 60 Minutes
CD
EUR 22,00SpotifyApple MusicDeezerGoogle PlayAmazon Digital MusiciTunes MasteredFor...Qobuz HDeClassical HDPresto Classical HDReview
It is not possible to overstate the importance of this recording
The first word that comes to mind on listening to this CD is haunting. As a procession entering into the abbey church (St. Bernhard, Eusserthal, Rhineland-Palatinate) we initially hear a distant group of singers approaching, as they get louder and fill the space with their resplendent voices we settle into a transcendental journey across ancient medieval Europe. Each of the five singers on this recording is a scholar specialist (musicology, paleography, theology) in this repertoire. They include, Amy Green (USA), Susanne Wilsdorf, Ellen Hünigen, Werner Blau, Burkard Werner (Germany). They gave a concert in the abbey church on September 8, 2013. This CD is a snapshot recorded on site in direct 2-track stereo digital. The sound quality is quite simply amazing. A restored church from what was left of the original ruined abbey Kloster Eusserthal, is widely known in Europe as a great concert acoustic. An ongoing series of performances is presented annually in the former Cistercian monument, near Annweiler am Trifels.
Vox Nostra to quote their notes, "…favors a slow, flowing style of performance in an appropriately restrained tempo. The vocal sound which results is rich in overtones, and fills the entire space; it allows the archaic and pure intervals of this music to be fully appreciated, and ensures that the complex weaving of the voices is clearly audible." This writer would have to qualify their approach and the amazing results as revolutionary and without president or rival. I feel like I have heard medieval chant for the very first time it is so startling and overpowering.
The repertoire is varied and all taken from original manuscripts in Spain, Italy, Scotland, Germany, England and France. The recording ends as it began. The singers exit the abbey church and their voices trail off into the distance into silence. It is not possible to overstate the importance of this new recording on a label that is almost totally unknown here in North America. Insist on listening for yourself Vox Nostra's artistic triumph Veri Solis Radius.
© 2015 Timothy Eaton Memorial Church
J. S. Bach · Mass in B MinorJ. S. Bach · Mass in B Minor
Johann Sebastian Bach
Mass in B Minor, BWV 232
Performed according to the traditions of the time
by Joanne Lunn (Soprano), Ursula Eittinger (Mezzo-Soprano),
Marcus Ullmann (Tenor), Gotthold Schwarz (Bass),
Hanoverian Court Orchestra (Hannoversche Hofkapelle),
Maulbronn Chamber Choir (Maulbronner Kammerchor)
Conductor: Jürgen Budday
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Double Album · c. 112 Minutes
2 CD
EUR 33,00SpotifyDeezerApple MusicAmazon Digital MusiciTunes MasteredFor...Qobuz HDeClassical HDPresto Classical HDPrime Phonic HDHD TracksReview

I am bowled over by the quality... Fantastic!

Yesterday I received the B Minor Mass and I am bowled over by its quality... Fantastic! As always from K&K...

Gerald Fenech on Facebook

Review

This recording is nothing less than superb...

As always this enterprising German company issues beautifully recorded CD sets of choice and eclectic music but it has reverted back to its original oratorio and sacred course with this monumental recording of Bach's sublime B Minor Mass. The recording in the wonderful surroundings of the Maulbronn Monastery is nothing less than superb with ideal balance between chorus and orchestra and with the soloists on pretty much top form throughout. Jürgen Budday conducts with extreme sensitivity throughout and his tempi are extremely well judged especially in the drawn out "Kyrie" and the irrepressible energy of the "Gloria in excelscis Deo" culminating in a "Dona nobis pacem" of almost spine tingling beauty. The chorus sings with knowledgeable integrity whilst all four soloists contribute in their own special way to the performance as a whole with Ursula Eittinger particularly ravishing....

Classical Net

Louis Spohr · The Last JudgementLouis Spohr · The Last Judgement
Louis Spohr
The Last Judgement
The oratorio "Die letzten Dinge"
based on verses from the Holy Scripture
in a complete live recording of the original version from 1826, sung in German,
with Miriam Meyer (Soprano), Ursula Eittinger (Mezzo-Soprano),
Marcus Ullmann (Tenor), Josef Wagner (Bass),
Maulbronn Cantor Choir (Kantorei Maulbronn),
Russian Chamber Philharmonic St. Petersburg
Conductor: Jürgen Budday
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · c. 81 Minutes
CD
EUR 22,00SpotifyDeezerApple MusicAmazon Digital MusicTIDALiTunes MasteredFor...Qobuz HDeClassical HDPresto Classical HDHDtracksReview
5 stars out of 5 stars
Customer Votes on EMusic
Review
Spohr'’s second oratorio concerns both:
the Apocalypse and the Last Judgement
This was Spohr’s second oratorio and was written in Kassel between 1825 and 1826. The libretto, in two parts, was by Johann Friedrich Rochlitz (1769-1842) and concerns both the Apocalypse and the Last Judgement. The overture is a powerful utterance, finely put together, and orchestrated adeptly. The choral entries are often arresting, and the accompanied recitatives show awareness of oratorio antecedents but are sufficiently flexible to convince on their own terms. At its best the work impresses through a felicitous sense of word-setting and layering; the choral responses are indeed sensitively shaped. The fourth movement, with a tenor solo and chorus, calls for a repeated ‘Heilig’ and the chorus’s soft, reverential repetition vests the music with great reflectiveness and elegiac quality. Then too Spohr doesn’t stint the opportunities for some good old-fashioned fugal development. Its employment halts the narrative somewhat but is certainly incisive; that in the seventh section is very definitely reminiscent of Handel. Spohr shows in the Sinfonia introduction to the second part just how well he wrote for orchestral forces and in the Babylonian chorus (No.15) demonstrates a sure instinct for the dramatic crest of a movement. In the concluding fugal Hallelujah section he reprises the kind of Handelian statements he’d earlier established in the first part of the oratorio. There are some Mozartian touches here and there, more stentorian Beethovenian ones too, in addition to the sometimes pervasive Handelian aspect. ...
Jonathan Woolf, Musicweb International - www.musicweb-international.com
Review
Qobuz Hi-Res Audio
Awarded by Qobuz with the "Hi-Res Audio" March 2012.
Qobuz
Review
The listener is engrossed in what is going on from first note to last
This enterprising German label has recently served up some wonderfully crafted chamber and choral performances and this discovery by Spohr is no exception. Apparently 'The Last Judgement' (Die letzten Dinge - 1825/6) was an extremely popular oratorio in its heyday but it unfortunately fell by the wayside and is little heard today. Spohr treats the text with reverence and respect and although the music rarely rises above the mundane, the soloists and Budday ensure that the listener is engrossed in what is going on from first note to last. This is a worthwhile revival from the Spohr canon which deserves much wider currency.
Gerald Fenech on Classical Net
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