TCHAIKOVSKY: Souvenir de Florence for String Orchestra, Op. 70

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EUR 4,75
Pyotr Ilyich Tchaikovsky:
Souvenir de Florence for String Orchestra, Op. 70

Performed by the South-West German Chamber Orchestra Pforzheim
Conductor: Sebastian Tewinkel

A concert recording from the German
UNESCO World Heritage Site Maulbronn Monastery

HD Recording · DDD · Duration: 34 Min. 07 Sec.
Digital Album · 4 Tracks · incl. Booklet

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by Pyotr Ilyich Tchaikovsky, performed by the South-West German Chamber Orchestra, conducted by Sebastian Tewinkel
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by Pyotr Ilyich Tchaikovsky, performed by the South-West German Chamber Orchestra, conducted by Sebastian Tewinkel
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by Pyotr Ilyich Tchaikovsky, performed by the South-West German Chamber Orchestra, conducted by Sebastian Tewinkel
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by Pyotr Ilyich Tchaikovsky, performed by the South-West German Chamber Orchestra, conducted by Sebastian Tewinkel
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PDF File · 5 Pages
by Pyotr Ilyich Tchaikovsky, performed by the South-West German Chamber Orchestra, conducted by Sebastian Tewinkel
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Work(s) & Performance

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yotr Ilyich Tchaikovsky (1840-1893) is considered as the most important Russian composer of the 19th century. He composed 'Souvenir de Florence' in 1890, thus during his later period, and dedicated the work to the St. Petersburg Chamber Music Society in response to his appointment as an Honorary Member. Originally scored for string sextet (2 violins, 2 violas and 2 cellos), Tchaikovsky arranged the work later also for string orchestra. The title 'Memory of Florence' probably originates from the fact that the composer started working on it while visiting Florence in Italy.

Performer(s)

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he hallmark of the South-west German Chamber Orchestra Pforzheim is its fresh and gripping musical approach and stylistic diversity from early to contemporary music. The ensemble consists of fourteen musicians of seven different nationalities and is one of the few full-time chamber orchestras in Europe. This allows for exceptional richness and flexibility of sound, which is maintained even when the Orchestra is enlarged with further wind or string players. The ensemble was founded in 1950 by Paul Hindemith's former student Friedrich Tilegant. Soon the ensemble won international recognition: One talked of the 'Tilegant-sound', which could not only be heard at the festivals in Salzburg, Lucerne and Leipzig as well as on world-wide tours, but which was also documented on numerous recordings. Maurice André, Dietrich Fischer-Diskau, Frans Brüggen and Yehudi Menuhin are only a few of the celebrity names who have worked with the Orchestra. After the Tilegant-era, which ended far too early after the premature death of its founder in 1968, the Orchestra was moulded by the Viennese Paul Angerer (1971-1981), Vladislav Czarnecki (1986-2002), who came from the Czech music tradition, and Sebastian Tewinkel (2002-2013). To shape and develop sound, style and program in the future Timo Handschuh has assumed the position of the orchestra's music director with beginning of the concert season 2013/14. On its road to success the South-west German Chamber Orchestra has made numerous broadcasts for almost all European radio stations and released nearly 250 records and CDs, many of which were awarded international prizes (Grand Prix du Disque, Monteverdi Prize, Prox Artur Honegger). Several premiere performances (Jean Françaix, Harald Genzmer, Enjott Schneider) prove its competence in contemporary music. Currently the Chamber Orchestra plays together with renowned soloists such as Gidon Kremer, Rudolf Buchbinder, Christian Tetzlaff, Sabine Meyer, Frank Peter Zimmermann, Mischa Maisky and Anatol Ugorski. Together with them - but also with up-and-coming young musicians - the Orchestra has been invited to perform in all European countries as well as in the USA and Japan. Ideas for new programmes beyond the traditional subscription concerts extend the ensemble's profile. In 2001, the South-west German Chamber Orchestra toured Europe's great concert halls with Giora Feidman and Facundo Ramirez, playing Klezmer and Argentinian folklore (Misa Criolla), and the ensemble continues to tread new paths with American violinist Monique Mead to win young audiences for classical music ("Classic for Kids"). The Orchestra recently recorded a newly composed score which was mixed with original soundtracks of the Comedian Harmonists and performs other projects of chamber opera, dance (Flamenco with Nina Corti) and marionette theatre.

B

orn in Unna (Germany) in 1971, Sebastian Tewinkel started his violin and general music studies at the Hannover University of Music and Drama. He then continued at the Stuttgart University of Music and Performing Arts with Thomas Ungar, graduating with a mark of distinction and supplementing with master courses given by Gianluigi Gelmetti and Sir Colin Davis. After his studies Sebastian Tewinkel was awarded a scholarship by the Herbert von Karajan Foundation in Berlin and admitted to the patronage programme "Dirigentenforum" of the 'Deutscher Musikrat'. Shortly after, he succeeded in winning two important competitons: in 2000 he received the first (and only) prize at the International Conducting Competition of the foundation 'Fundação Oriente' at Lisbon, and in 2001 he won the Conductors Award in Bad Homburg. Already early in his career, Sebastian Tewinkel conducted numerous well-known orchestras, among them the Stuttgart Philharmonic Orchestra, the NDR Radio Philharmony Hannover, the Halle Philharmonic State Orchestra, the Sofia Symphony Orchestra and the Munich Chamber Orchestra. He has toured extensively throughout Europe, as well as Russia and Japan. With the start of the 2002-03 season, he was appointed Music Director and Chief Conductor of the South-west German Chamber Orchestra Pforzheim. He broadened the range of stylistic versatility and developed new programmes for this ensemble of long-standing tradition. Besides working with the Pforzheim Chamber Orchestra, Sebastian Tewinkel continues conducting large orchestras. He was invited by the Bavarian Radio Symphony Orchestra, the Munich Philharmonic Orchestra, the Bamberg Symphony Orchestra, the Hamamatsu Philharmonic in Japan, the Iceland Symphony Orchestra, the St Petersburg Academic Symphony Orchestra and the Lisbon Metroplitan Orchestra for concerts, CD and broadcasting productions alike.

Series & Edition

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ublishing Authentic Classical Concerts entails for us capturing and recording outstanding performances and concerts for posterity. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is our aim, the philosophy of our house, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance, so we record the concerts in direct 2-Track Stereo digital HD. The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value. Flourishing culture, enthralling the audience and last but not least also you the listener, are the values we endeavor to document in our editions and series.

The concerts at the UNESCO World Heritage Maulbronn Monastery supply the ideal conditions for our aspirations. It is, above all, the atmosphere of the romantic, candle-lit arches, the magic of the monastery in its unadulterated sublime presence and tranquillity that impresses itself upon the performers and audience of these concerts. Renowned soloists and ensembles from the international arena repeatedly welcome the opportunity to appear here - enjoying the unparalleled acoustic and architectural beauty of this World Heritage Site, providing exquisite performances of secular and sacred music, documented by us in our Maulbronn Monastery Edition.

Andreas Otto Grimminger & Josef-Stefan Kindler, K&K Verlagsanstalt

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