Christmas · Holiday

Music Genre
All releases with Classical Music for Christmas / Holiday
Bach meets VivaldiBach meets Vivaldi
Soundscape Maulbronn Monastery
Bach meets Vivaldi
The Lautten Compagney Berlin plays according to the traditions of the time
Johann Sebastian Bach (1685-1750):
Concerto in A Minor, BWV 1041 · Concerto in E Major, BWV 1042
Concerto in D Minor, BWV 1043
Antonio Vivaldi (1678-1741):
Concerto in G Minor, RV 157
Concerto in B Minor, RV 580 ("L'Estro Armonico", Op. 3, No. 10)
Concerto in D Minor, RV 565 ("L'Estro Armonico", Op. 3, No. 11)
Soloist: Julia Schröder (Violin)
Concertmistress: Birgit Schnurpfeil · Artistic Director: Wolfgang Katschner
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Duration: c. 67 Minutes
CD
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The UNESCO World Heritage Site Maulbronn Monastery

This concert took place in the church of the Maulbronn monastery in Germany. Built in the 12th century, the Maulbronn monastery with its Romanesque-Gothic basilica is considered as the most complete preserved medieval monastery north of the Alps. The monastery has been a UNESCO World Heritage Site since 1993. It's one of 60 historic monuments in the Germany's Southwest. The "State Organisation for Palaces and Gardens of Baden-Württemberg" (in German: "Staatliche Schlösser und Gärten Baden-Württemberg") makes accessible, communicate, develops and preserves these state-owned historic monuments with the aim of preserving the authenticity of the cultural heritage, filling them with life and preserving them for future generations. Detailed information about these unique "Soundscapes" can be found at: www.schloesser-und-gaerten.de


Review

An audiophile snapshot of permanent value

Publishing Authentic Classical Concerts entails capturing and recording outstanding performances and concerts for posterity. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is the aim, the philosophy of K&K, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance, so they record the concerts in direct 2-Track Stereo digital HD. The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value. This concert took place in the church of the Maulbronn monastery in Germany. Built in the 12th century, the Maulbronn monastery with its Romanesque-Gothic basilica is considered as the most complete preserved medieval monastery north of the Alps.

Arkiv Music - The source for Classical Music

George Fr. Handel · JephthaGeorge Fr. Handel · Jephtha
George Frideric Handel:
J E P H T H A
Complete recording of the English Oratorio HWV 70,
performed according to the traditions of the time
by Kirsten Blaise (Soprano), Annelie Sophie Müller (Mezzo-Soprano),
David Allsopp (Altus, Countertenor), Benjamin Hulett (Tenor),
Simon Bailey (Bass), Ensemble il capriccio (Baroque Orchestra),
Maulbronn Chamber Choir.
Conductor: Jürgen Budday.
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Double Album · c. 163 Minutes (2h:43m)
2 CD
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Almost three hours of superb-sounding music...

This recording is in many ways a real treasure. Its chief value is that it vividly captures a wonderful performance of Handel’s final oratorio, giving the listener a fine impression of the venue, the medieval Maulbronn monastery in southern Germany. The opening notes of the thrillingly dramatic overture grab the listener’s interest and the well-chosen soloists make a vivid impression.
The story involves the military leader, Jephtha (tenor), who is asked by his brother, Zebul (baritone) to lead the Israelites against their oppressors, the Ammonites. Jephtha vows that, if successful, he will sacrifice the first person he sees after the battle. This turns out to be his daughter, Iphis (soprano). His wife, Storgè (mezzo-soprano) and Iphis’s fiancé Hamor (counter-tenor), are suitably horrified, as are the onlooking Israelites. An angel (soprano) transmutes Iphis's sentence to life as a virgin; hallelujahs are sung.
Benjamin Hulett is outstanding as Jephtha who at first is exuberant when facing his military task, then anguished and horrified at the results of his vow. His accompagnato “Deeper, and deeper still” would be worthy of a musical dramatization of King Lear. The other main role is that of Iphis, sung by American soprano Kirsten Blaise; she also must express a wide range of emotions and carries it off extremely well. Simon Bailey is rich-voiced and stalwart as Zebul, and Annelie Sophie Müller as Storgè is blessed with a voice that has a rosy bloom about it. David Allsopp gets off to an uncertain start as Hamor but in the end rises to full worthy participation in his duet with Iphis, plus a quartet and quintet with the other principals.
The 39-member choir and 26-member orchestra provide exactly the right sound for this great work. The orchestra use specially reconstructed period instruments tuned to the historically accurate a=415 Hz. Jürgen Budday’s tempi are well-judged throughout. Some might find the acoustic to be overly resonant, but I find it helps bring to life a performance I wish I had been able to attend. But there are almost three hours of superb-sounding music on just two CDs.
Still the stated aim of K&K is to capture an outstanding performance in which “the performers, audience, opus and room enter into an intimate dialogue that is...unique and unrepeatable”. This they have accomplished.

© 2014 ConcertoNet.com, Michael Johnson

George Fr. Handel · MessiahGeorge Fr. Handel · Messiah
George Frideric Handel:
M E S S I A H
The complete recording of the English Oratorio HWV 56,
performed according to the traditions of the time
by Miriam Allan (Soprano), Michael Chance (Countertenor),
Mark Le Brocq (Tenor), Christopher Purves (Bass),
Hanoverian Court Orchestra, Maulbronn Chamber Choir.
Conductor: Jürgen Budday.
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Double Album · c. 140 Minutes
2 CD
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A rich Messiah of unusually strong Impact

They produced in the hands of conductor Jürgen Budday a rich Messiah of unusually strong impact... aided by fine live engineering in the impressive, sonically clear spaces of Germany's Maulbronn Monastery...
This live German recording of Messiah is based on a manuscript Handel marked up for a performance of the work in Dublin, adding a variety of new dynamic markings and ensemble indications. There's no reason to regard it as quite the definitive version of the work that it is proposed to be by the booklet here; it can equally well be considered an experiment on Handel's part in dealing with the new stylistic currents of his day. For listeners unfamiliar with it, this version carries quite a few surprises. Sampling merely the beginning of the "Hallelujah" chorus, CD 2, track 16, is enough to give the listener an idea of what he or she is getting into as the usually muscular entrance of the choir contracts to a quiet, angelic effect. The work becomes much more varied in texture and a good deal less monumental overall.
It would nevertheless be a shame if this recording were pigeonholed among the Dublin versions, for it has a good deal to offer any Messiah listener. Billed as an uncut, historically informed performance, this recording becomes, in the hands of conductor Jürgen Budday, a nice fusion of the immediate feel of the best historical performances (aided by fine live engineering in the impressive, sonically clear spaces of Germany's Maulbronn Monastery) with a rich, more conventional sound from a good-sized German choir, the Maulbronner Kammerchor.
Budday gives the soloists a chance to stretch out in the recitatives. Collectively the performers capture the different strands of Handel's experience - operatic, English Protestant, solo-oriented, and instrumental - that he brought to bear on this magnificent work, and they produce a rich Messiah of unusually strong impact. The live recording has a few flaws, but they are more than overcome by the edge thus generated. Notes are in German and English, the text is in English.

Review by James Manheim - All Music Guide, allmusic.com

Review

***** Absolutely the finest rendition

I am nearly 60 years old and have heard countless versions of Handel's "Messiah" since I was a boy. Recently I decided to purchase the best recording I could find for MP3 use. Wanting the version most faithful to Handel's baroque style, I easily eliminated most of the recordings I "auditioned" due to the overuse of orchestration, usually performed by unauthentic modern instruments. I also did not want to listen to any more wobbly warbling of soloists who seemed to be more intent on overpowering the listener than on communicating the divine message of the scripture text. Nor did I wish to hear any more sloppy choral performances that muddy the words because of the choir size and poor attack.
I had heard other recordings done with "authentic" or "antique" instruments, some of which are fine, but usually one or two of the soloists have left me disappointed. This version has satisfied every one of my wishes. Where have they been hiding? It is totally delightful, and I have no complaint. I can only hope that more persons will become aware of this recording and add their two bits of comments. If you are one of those persons who enjoys heavy vibrato and heavy orchestration, you might not appreciate this fine Baroque recording. But if you are tired of the same old..... then by all means, give it a try. It is refreshing!

'Monergistic Reader' on Amazon.com

Review

***** Superlative

I've heard many, many versions of "Messiah" in my short 27 years, and this is by far the best. One need only listen to the "Hallelujah Chorus" to appreciate this recording - it is at once intimate and majestic. The restraint that the choir demonstrates in the beginning is remarkable, considering that that chorus is normally an unwieldy, overwhelming, incomprehensible mess. It's not lacking for majesty and bombast, but it's there at appropriate places.

'Dweeb' on Amazon.com

Review

***** A clear, beautiful, authentic Messiah

An absolute gem of a Messiah. Definitely in the stream of the great "authentic" recordings of the work (like Christopher Hogwood's fantastic recording so many years before), this one makes the most of a small orchestra and chorus. The performances are all wonderfully beautiful, from the orchestra and the crystal-clear soloists to the all-male choir. There is an elegant restraint shown in this recording that sets it apart, even amongst some of its contemporaries in the authentic-arrangement camp; This is particularly notable in "Hallelujah". Don't confuse elegance and restraint for dull and boring, however. It is anything but that. This version transports the listener. The sound quality is pristine and, recorded live in concert in a large church, captures the wonderful resonance that atmosphere uniquely provides. This is a lesser-known Messiah that stacks up well against other, more noted performances.

Jacob A. Davis on Amazon.com

J. S. Bach · About the Kingdom of GodJ. S. Bach · About the Kingdom of God
Johann Sebastian Bach
Vom Reiche Gottes
The WORLD PREMIERE RECORDING of the great cantata "Vom Reiche Gottes"
with arias, choruses & chants from 18 Bach Cantatas, compilated by Hans Grischkat,
performed according to the traditions of the time
by Heike Heilmann (Soprano), Franz Vitzthum (Altus, Countertenor),
Johannes Mayer (Tenor), Falko Hönisch (Bass),
Maulbronn Chamber Choir, Ensemble il Capriccio
Conductor: Jürgen Budday.
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Duration: c. 78 Minutes
CD
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***** A unique performance... This album is a treasure...

Electrifying live performance of mostly rarely performed J.S. Bach arias, choruses and chants, recorded on location at the 12th century Maulbronn monastery in Germany. The acoustics are beautiful, and the sound quality very convincing. Historical instruments were used for the performance, tuned to the exact pitch Bach would have been familiar with in his lietime. The result is intimate, moving and addictive. Of course it is a 'programme', with famous pieces followed by unusual tracks, but it provides an irresistible feeling of ensemble and wholesomeness.
The delicate Sinfonia opens the CD perfectly, operates magically on your brain and your senses to remove any feeling of oppression from what you cannot control of the outside world, and when the beautifully sung chorus of the same cantata follows, you know you are in for a treat that mixes adherence to the settings of the time and effective modern recording technology.
This album is not 'another Bach' album. It is unique, and it is a treasure.

"Edel" on Amazon.com (Verified purchase of the Audio CD)

J. S. Bach · Mass in B MinorJ. S. Bach · Mass in B Minor
Johann Sebastian Bach
Mass in B Minor, BWV 232
Performed according to the traditions of the time
by Joanne Lunn (Soprano), Ursula Eittinger (Mezzo-Soprano),
Marcus Ullmann (Tenor), Gotthold Schwarz (Bass),
Hanoverian Court Orchestra (Hannoversche Hofkapelle),
Maulbronn Chamber Choir (Maulbronner Kammerchor)
Conductor: Jürgen Budday
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Double Album · c. 112 Minutes
2 CD
EUR 33,00SpotifyDeezerNapsterGoogle PlayApple MusicAmazon MusicNaxos Music LibraryTidaliTunes MasteredFor...Qobuz HDeClassical HDPresto Classical HDHD TracksPrime Phonic HDReview

I am bowled over by the quality... Fantastic!

Yesterday I received the B Minor Mass and I am bowled over by its quality... Fantastic! As always from K&K...

Gerald Fenech on Facebook

Review

This recording is nothing less than superb...

As always this enterprising German company issues beautifully recorded CD sets of choice and eclectic music but it has reverted back to its original oratorio and sacred course with this monumental recording of Bach's sublime B Minor Mass. The recording in the wonderful surroundings of the Maulbronn Monastery is nothing less than superb with ideal balance between chorus and orchestra and with the soloists on pretty much top form throughout. Jürgen Budday conducts with extreme sensitivity throughout and his tempi are extremely well judged especially in the drawn out "Kyrie" and the irrepressible energy of the "Gloria in excelscis Deo" culminating in a "Dona nobis pacem" of almost spine tingling beauty. The chorus sings with knowledgeable integrity whilst all four soloists contribute in their own special way to the performance as a whole with Ursula Eittinger particularly ravishing....

Classical Net

Johannes Brahms · A German RequiemJohannes Brahms · A German Requiem
Johannes Brahms
A German Requiem
Ein deutsches Requiem, Op. 45
The "London Version" (sung in German)
for 2 soloists, choir and four-hand piano,
arranged by the composer, performed by
Heidi Elisabeth Meier (Soprano), Josef Wagner (Baritone),
Piano Duo GrauSchumacher (Andreas Grau & Götz Schumacher),
Maulbronn Chamber Choir (Maulbronner Kammerchor)
Conductor: Jürgen Budday
A concert recording from the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Duration: c. 70 Minutes
CD
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A reference recording

Interpretation: ***** (5 out of 5)
Recording Quality: ***** (5 out of 5)
Status: Reference Recording

KULIMU - German Magazine for art, music and literature

Review

Magnificently performed and recorded...

Fine Reduction and Fine Performance
Brahms' own piano reduction of his Requiem. It works wonderfully in this format and this recording is magnificently performed and recorded. This will not replace the orchestra version (and certainly was not meant to) but it allows one to hear the work in a new way...

Bachjscpe on Amazon.com

Review

***** Certainly Five Stars!

Item getting today, 04/13/17. A very interesting interpretation of the famous Brahms German Requiem for piano duo, choir and soloists; the London version, in contrary to the later full orchestral, choir and soloists version. This chamber version makes this work more a delightful and receptable one during this Passion Time.

J. P. M. Smit on Amazon.com, April 13, 2017

Sarah Wegener & Ensemble il capriccio · Arias & CantatasSarah Wegener & Ensemble il capriccio · Arias & Cantatas
Sarah Wegener & Ensemble il capriccio:
Arias & Cantatas
Sarah Wegener (Soprano) and the ensemble il capriccio
performs according to the traditions of the time:
George Frideric Handel ~ Gloria (Cantata) · Overture (Rinaldo) · Furie terribili · Lascia ch'io pianga · Se pietà di me non senti · Da tempeste · Farewell ye limpid springs · Eternal source of light divine
Henry Purcell ~ When I am laid · O let me weep · Fantasy upon a Ground
Giovanni Battista Ferrandini ~ Se d'un Dio · Scottish Traditional ~ Auld Lang Syne et.al.
Concert Master: Friedemann Wezel
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · c. 76 Minutes
CD
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A rich and warm voice in a splendidly recorded and produced release

Sarah Wegener enthralls listeners with the richness and warmth of her voice and approaches every role in a chamber musical way. She regularly works with Kent Nagano, Philippe Herreweghe, Thomas Hengelbrock, Heinz Holliger, Michael Hofstetter and Frieder Bernius. She studied with Professor Jaeger-Bohm in Stuttgart and took part in master classes with Dame Gwyneth Jones and Renee Morloc.
Here, Sarah performs with the Ensemble Il Capriccio arias and cantatas from the baroque era, thematically enhanced with modern compositions. The release documents a concert at the church of the German UNESCO World Heritage Site Maulbronn Monastery in Germany 2015, splendidly recorded and produced by Andreas Otto Grimminger and Josef-Stefan Kindler for their series "Maulbronn Monastery Edition".

Presto Classical, November 2016

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