MOZART: Piano Concerto No. 26 in D Major, K. 537 "Coronation"
Piano Concerto No. 26
in D Major, K. 537 "Coronation"
Christoph Soldan ~ Concert Grand Piano
Silesian Philharmonic Orchestra
Conductor: Pawel Przytocki
A live recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Duration: 32 Min. 57 Sec.
Digital Album · 3 Tracks · Booklet
he Piano Concerto No. 26 in D major, K. 537, was written by Wolfgang Amadeus Mozart and completed on 24 February 1788. It is generally known as "the Coronation Concerto". The concerto is scored for solo piano, one flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani (in D, A), and strings. The traditional name associated with this work is not Mozart's own, nor was the work written on the occasion for which posterity has named it. Mozart remarked in a letter to his wife in April 1789 that he had just performed this concerto at court. But the nickname "Coronation" was derived from his playing of the work at the time of the coronation of Leopold II as Holy Roman Emperor in October 1790 in Frankfurt am Main. At the same concert, Mozart also played the Piano Concerto No. 19, K. 459.
he German press describes the pianist Christoph Soldan as an artist personality who works with the spiritual intensity and soulful dimension of a piece of music, rather than giving a purely technical virtuoso performance. This challenge to music and to himself is rarely seen today. Soldan studied under Professors Eliza Hansen and Christoph Eschenbach at the Hamburg Musikhochschule. His break-through to active international concert playing came in a tour with Leonard Bernstein in summer 1989. Of Christoph Soldan, the world- famous director said, "I am impressed by the soulful size of this young musician." Since then, Soldan has played in numerous tours with renowned orchestras across Europe and abroad. A particularly close co- operation binds him to the polish conductor Pawel Przytocki. A tour of piano evenings took place in Mexico and other countries in Central America in October 1997. In August 1998 he debuted in Salzburg and in the Chamber Music Hall of the Berlin Philharmonic, and in May 1999 in the Leipzig Gewandhaus. In March 2000, there were three piano evenings in Japan. So far, there have been radio and television productions with the Hessische Rundfunk, Frankfurt, Deutschlandfunk, SWR, ORF and ZDF. The Bayerische Rundfunk broadcasted his piano evening in the Munich Residenz in October 1998 and his concert in the Bad Brückenau music festival live in 1999. Radio Bremen braodcasted his recital in Bremen in august 2002. In spring 2001 Christoph Soldan participated the Prague Spring Festival accompanied by the slovakian chamberorchestra "Cappella Istropolitana". Two recitals in Hamburg and Berlin were followed by a live - recording of two Mozart piano concertos in the medieval monastery of Maulbronn in september 2002. In the 2003/2004 season, Christoph Soldan will be guesting with various programmes in Germany, Austria, Switzerland, Slovakia, France and the USA. In January 2004 a concert-tour to South Africa will follow.
Christoph Soldan combines a long-standing cooperation with the Polish conductor Pawel Przytocki. Przytocki works since 1999 as a constant guest conductor of the radio symphony orchestra Krakau and perfomed with the Budapest Concert Orchestra, the Orchestra Sinfonica de Xalapa in Mexico, the Real Philharmonia de Galicia in Spain, the Cappella Istropolitana and the Schlesische Kammerphilharmonie Kattowitz.
The Schlesische Kammerphilharmonie Kattowitz was founded in Poland 1945. This chamber-orchestra, which constists of the soloist from the philharmonic orchestra, excists in this form since 1981. The newspapers characterizes this orchestra as "highly accurate, dulcet and full of juvenile spirit". Accordingly the orchestra performed and performs with celebrated artists like Zubin Mehta, Arthur Rubinstein and Krystian Zimerman. This artistical capacity co-operates perfectly with Soldan´s interpretations and the conductor´s concept of Mozart´s works. The result is an new remarkable documentation of an unique and high-contrasted reception of piano-works from the famous maestro, Wolfgang Amadeus Mozart.
ublishing Authentic Classical Concerts entails for us capturing and recording outstanding performances and concerts for posterity. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is our aim, the philosophy of our house, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance, so we record the concerts in direct 2-Track Stereo digital HD. The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value. Flourishing culture, enthralling the audience and last but not least also you the listener, are the values we endeavor to document in our editions and series.
The concerts at the UNESCO World Heritage Maulbronn Monastery supply the ideal conditions for our aspirations. It is, above all, the atmosphere of the romantic, candle-lit arches, the magic of the monastery in its unadulterated sublime presence and tranquillity that impresses itself upon the performers and audience of these concerts. Renowned soloists and ensembles from the international arena repeatedly welcome the opportunity to appear here - enjoying the unparalleled acoustic and architectural beauty of this World Heritage Site, providing exquisite performances of secular and sacred music, documented by us in our Maulbronn Monastery Edition.
The concert grand piano is incontestably the king of instruments. We could now wax lyrical about its incomparable dynamics and go into its ability to go from the tenderest of sounds in a soft minor key to the magnificent power of a fortissimo, or I could rhapsodise about its impressive size and elegance. But what makes this instrument really fascinating is its individuality, since each one is unique in itself - created by a master. A concert grand has a life all of its own that a virtuoso can really "get into" and hence bring the work of the composer to life. In our Grand Piano Masters Series, we get into the character and soul of the concert grand piano and experience, during the performance itself, the dialogue between the instrument, the virtuoso and the performance space.
Andreas Otto Grimminger & Josef-Stefan Kindler, K&K Verlagsanstalt