Mozart: Piano Concerto No. 11 in F Major, K. 413
Piano Concerto No. 11 in F Major, K. 413
Version for Piano & String Quintet,
performed by Christoph Soldan and the Silesian Chamber Soloists
Recorded to 'Direct 2-Track Stereo Digital HD'
in a concert at Maulbronn Monastery in Germany
with a Steinway & Sons Concert Grand Piano C-227 (No. 524500)
HD Recording · DDD · Duration: 20 Min. 34 Sec.
Digital Album · 3 Tracks · incl. Booklet
"The concertos are just the medium between being too heavy and too light - they are very brilliant - pleasant to hear - certainly without falling into the void - here and there it is possible for the connoisseur alone to get satisfaction - but such - that the laymen can be contented without knowing why."
Mozart about the three concertos for piano K. 413, K. 414 and K. 415
in a letter to his father on December 28th, 1782
"I have to write in great haste, as it is already half past six, and for six o'clock I have ordered some people for making a little music; (...) now, two concertos are still missing for the Suscription Concertos."
Mozart in a letter to his father on December 28th, 1782
aving provided us with magnificent examples of concertos for stringed and wind instruments, Mozart reaches the ideal conception of a concerto with his piano concertos. They are the high point and peak of his instrumental producing. In Mozart's piano concertos two equal forces are facing each other that are really able to compete. They are therefore essentially his very unique creation. The piano concertos K. 413 - 415 and K. 449 were the first in a row of 17 momentous concertos created in Vienna and consequently founding his fame as virtuoso to the Viennese audience. The double possibility given to the performance, of either playing full orchestra, with oboe and horn (in the C-Major also with timpani and trumpet) or just with string quartet shows the flexibility he wanted to produce.
The piano concertos by Mozart never seem to touch the border of the socially appropriate - how could it, being designed to be acclaimed. But even so, it opens the doors to tell about the dark and the bright, the serious and the cheerful, the deepest - to lead its audience to a higher level of knowledge. The audience that is to deal with Mozart's piano concertos is the best there is.
he pianist Christoph Soldan (born 1964) studied under the Professors Eliza Hansen and Christoph Eschenbach at the Hamburg Musikhochschule. His break-through to active international concert playing came in a tour with Leonard Bernstein in summer 1989. About Christoph Soldan, the world-famous director said, "I am impressed by the soulful size of this young musician". Since then, Soldan has played in numerous tours with renowned orchestras across Europe and abroad. In particular, this can be seen in the CD recordings of all of Mozart's piano concertos, which were performed and recorded from 1996 until 2006. A tour of piano evenings took place in Mexico and other countries in Central America in October 1997. In August 1998 he debuted in Salzburg and in the Chamber Music Hall of the Berlin Philharmonic, and in May 1999 in the Leipzig Gewandhaus. In March 2000, there were three piano evenings in Japan. So far, there have been radio and television productions with the Hessische Rundfunk, Frankfurt, Deutschlandfunk, SWR, ORF and ZDF. The Bayerische Rundfunk broadcasted his piano evening in the Munich Residenz in October 1998 and his concert in the Bad Brückenau music festival live in 1999. Radio Bremen braodcasted his recital in Bremen in August 2002. Starting in 1996 Soldan was performing all 27 piano concertos by Mozart together with the slovakian chamber orchestra "Cappella Istropolitana", the "Chamber Orchestra of Pforzheim" and the "Silesian Chamber Orchestra" Katowice. This cycle of concerts ended in January 2006, performing the concertos for 2 and 3 pianos. Christoph Soldan developed a "pas de deux for piano and dance", together with his wife, the dancer and choreographer Stefanie Goes. The première took place in Stuttgart in May 2000. In Spring 2001 he participated the Prague Spring Festival accompanied by the slovakian chamber orchestra "Cappella Istropolitana". Two recitals in Hamburg and Berlin were followed by a live-recording of two Mozart piano concertos in the medieval monastery of Maulbronn in September 2002. In January 2004 the première of the new dance project "something about humans and angels" took place in Stuttgart followed by a concert-tour to South Africa. Since 2007 Soldan is working also as a conductor concerning the performances of piano concertos by Bach and Mozart. Christoph Soldan will be guesting in Germany, Italy, Spain, Austria, Poland and Slovakia with various programmes such as recitals, literary concerts, children's concerts, as soloist with 5 of Mozart's piano concertos, Schumann's piano concerto, mendelssohn's doubleconcerto, Chopin's e-minor concerto as well as in chamber music programmes with Brahm's piano quintet op. 34 and Schubert's "trout" quintet. Since 1994 Christoph Soldan was artistic director of the "Schubertiade auf Schloß Eyb". In 2007 together with his wife Soldan founded a theatre in the north of Baden-Württemberg between Stuttgart and Heidelberg, where all artistic programmes are taking place since then. The German press describes Christoph Soldan as an artist personality who works with the spiritual intensity and soulful dimension of a piece of music, rather than giving a purely technical virtuoso performance. This challenge to music and to himself is rarely seen today.
he Silesian Chamber Soloists are the section leaders of the Silesian Philharmonic Orchestra in Katowice (Śląska Orkiestra Kameralna). All of them are outstanding soloists, who studied on several music-universities in Poland and Germany. In 1993 the ensemble has been founded as a quartet first and was enlarged later by an additional doublebass position. The high level of artistic performance made the quintet to the leading chamber ensemble in Silesia. Concert tours have been organized to various festivals within Poland and other European countries. The Silesian Chamber Soloists performed with great success in the "Schleswig-Holstein Musik Festival", "MDR Musiksommer" and the "Rheingau Musik Festival". Cooperations were made with outstanding conductors and soloists, such as Krzysztof Penderecki, Yehudi Menuhin, Valery Gergiev, Christoph Eschenbach, Justus Frantz, Pinchas Zuckerman, Maxim Vengerov, Mscislav Rostropovich and Christoph Soldan. One special feature does result from the fact, that the concertmaster of the ensemble, Dariusz Zboch, is not only a very gifted violinist but at the same time arranging pieces of music. His last work has been published on two CD productions, a cycle of arrangements of the solid goal hits from the 60th and 70th concerning the songs of Procol Harum, Queen, Pink Floyd, Elvis Presley, The Beatles, Abba and Deep Purple. This true "cross-over-project" is combining popular music with works of the classical repertoire.
Dariusz Zboch (Violin) · Jakub Łysik (Violin) · Jarosław Marzec (Viola)
Katarzyna Biedrowska (Cello) · Krzysztof Korzeń (Double Bass)
ublishing Authentic Classical Concerts entails for us capturing and recording outstanding performances and concerts for posterity. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is our aim, the philosophy of our house, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance, so we record the concerts in direct 2-Track Stereo digital HD. The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value. Flourishing culture, enthralling the audience and last but not least also you the listener, are the values we endeavor to document in our editions and series.
The concerts at the UNESCO World Heritage Maulbronn Monastery supply the ideal conditions for our aspirations. It is, above all, the atmosphere of the romantic, candle-lit arches, the magic of the monastery in its unadulterated sublime presence and tranquillity that impresses itself upon the performers and audience of these concerts. Renowned soloists and ensembles from the international arena repeatedly welcome the opportunity to appear here - enjoying the unparalleled acoustic and architectural beauty of this World Heritage Site, providing exquisite performances of secular and sacred music, documented by us in our Maulbronn Monastery Edition.
The concert grand piano is incontestably the king of instruments. We could now wax lyrical about its incomparable dynamics and go into its ability to go from the tenderest of sounds in a soft minor key to the magnificent power of a fortissimo, or I could rhapsodise about its impressive size and elegance. But what makes this instrument really fascinating is its individuality, since each one is unique in itself - created by a master. A concert grand has a life all of its own that a virtuoso can really "get into" and hence bring the work of the composer to life. In our Grand Piano Masters Series, we get into the character and soul of the concert grand piano and experience, during the performance itself, the dialogue between the instrument, the virtuoso and the performance space.
Andreas Otto Grimminger & Josef-Stefan Kindler, K&K Verlagsanstalt