Sarah Wegener

Sarah Wegener - Image by Josef-Stefan Kindler. All rights reserved
Sarah Wegener (Copyright by Josef-Stefan Kindler)

Sarah Wegener ~ Soprano

Sarah Wegener enthrals listeners with the richness and warmth of her voice and approaches every role in a chamber musical way. She regularly works with Kent Nagano, Philippe Herreweghe, Thomas Hengelbrock, Heinz Holliger, Michael Hofstetter and Frieder Bernius. Concerts have taken her to the Schleswig-Holstein Musik Festival, Rheingau Music Festival, Konzerthaus Berlin, Tonhalle Zürich, Wiener Konzerthaus, Concertgebouw Amsterdam, Casa da Música Porto and to the Bozar Brussels. The British-German soprano studied singing with Prof. Jaeger-Böhm in Stuttgart and took part in masterclasses with Dame Gwyneth Jones and Renée Morloc. She has formed a close artistic relationship with the composer Georg Friedrich Haas. She was nominated for 'Singer of the Year' by Opernwelt magazine in 2011 for her interpretation of the main role of Nadja in his opera Bluthaus, which she performed at the Schwetzinger SWR Festival, Wiener Festwochen and Staatstheater Saarbrücken. In the 2015/16 season she made her debuts at the Royal Opera House London and Deutsche Oper Berlin in his new opera Morgen und Abend. In 2014 she was also highly praised for the world premiere of Jörg Widmann's Labyrinth III at the Kölner Philharmonie with the WDR Symphony Orchestra under Emilio Pomàrico. Her repertoire includes Handel's Messiah, Mozart's Mass in C minor, Schumann's Faust Scenes, Dvořak's Stabat Mater and Strauss' Four Last Songs. Furthermore, she enjoys frequent performances with the Deutsche Kammerphilharmonie Bremen, Kristiansand Symphony Orchestra, Orchestre des Champs-Élysées/Collegium Vocale Gent, NDR Symphony Orchestra, Orchestre Symphonique de Montréal, Philharmonisches Staatsorchester Hamburg, Kammerorchester Basel and Radio Filharmonisch Orkest. Her discography comprises recordings with Frieder Bernius of arias by Justin Heinrich Knecht (Carus), Korngold's Die stumme Serenade (CPO) and Schubert's Lazarus (Carus), as well as Rossini's Petite Messe solennelle under Tonu Kaljuste (Carus), a CD with the Stuttgart Radio Symphony Orchestra under Heinz Holliger (Hänssler Classic) and a release of Handel's Israel in Egypt with the Maulbronn Chamber Choir under Jürgen Budday (K&K Verlagsanstalt).

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George Fr. Handel · Israel in EgyptGeorge Fr. Handel · Israel in Egypt
George Frideric Handel:

The unedited version from 1739 of the English Oratorio HWV 54,
performed according to the traditions of the time

by Miriam Allan & Sarah Wegener (Soprano),
David Allsopp (Countertenor), Benjamin Hulett (Tenor),
Steffen Balbach & Daniel Raschinsky (Bass),
Hanoverian Court Orchestra (Hannoversche Hofkapelle),
Maulbronn Chamber Choir (Maulbronner Kammerchor)
Conductor: Jürgen Budday

A live recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery

HD Recording · DDD · Double Album · c. 96 Minutes

2 CD
EUR 33,00SpotifyDeezerNapsterYouTube MusicApple MusicNaxos Music LibraryIdagioTidalAmazon.comiTunesQobuz HDeClassical HDPresto Music HDE-Onkyo HDReview

A "Must Have"

A concert experience full of thrilling intensity ... This great-sounding concert recording is necessarily preferable to a studio production. A "must have" for all Handel lovers...

SWR 2 Culture (German Broadcasting)


A superb live recording of one of the greatest works from the Baroque era

George Frideric Handel's choral oratorio, Israel in Egypt, was the fifth of the nineteen oratorios which he composed in England. It has a libretto compiled from selected passages in the Hebrew Bible, mainly Exodus and the Psalms, and premiered at London’s King’s Theatre in 1739. It was not well received by audiences, though later in the season Handel revived it for three additional performances, with the first third of the work removed and several arias added. Reaction remained muted and it was not until 1756 that Handel mounted another London production, adding elements of other oratorios together to create a new first part. This was still unsuccessful and the composer did not take up the work again. It’s dificult to see now why there was such contemporary coolness towards such a powerful work that in the next century would attain popularity second only to Messiah. Israel in Egypt is a colossal work comprising twenty-eight massive double choruses, linked together by a few bars of recitative, with five arias and three duets interspersed among them. Unlike Handel’s other oratorios, there is no overture or prelude to the work.
The superb live recording on this double CD is part of a cycle of oratorios and masses performed in the basilica of Maulbronn Abbey with the Hanoverian Court Orchestra and Maulbronn Chamber Choir under the direction of Jürgen Budday. The series combines authentically performed works with the optimal acoustics and atmosphere of this unique monastic church—an ideal location demanding the transparency of playing and the interpretive unveiling of the rhetoric intimations of the composition. The music is exclusively performed on reconstructed historical instruments, which are tuned to the pitch customary in the composer’s lifetimes. Soloists include sopranos Miriam Allan and Sarah Wegener, the wonderful countertenor David Allsopp, tenor Benjamin Hulett and basses Steffen Balbach and Daniel Raschinsky.
This is an exciting and beautiful performance of one of the greatest and most passionate works from the Baroque era.

© 2014


***** Excellent Music to Enjoy

It does not matter where you come from. This album will resonate and make you wonder 'why I had not come across an album like this one'. Enjoy...

'JORALE95' on

Sarah Wegener & Ensemble il capriccio · Arias & CantatasSarah Wegener & Ensemble il capriccio · Arias & Cantatas
Sarah Wegener & Ensemble il capriccio:
Arias & Cantatas

Sarah Wegener (Soprano) and the ensemble il capriccio
performs according to the traditions of the time:

George Frideric Handel ~ Gloria (Cantata) · Overture (Rinaldo) · Furie terribili · Lascia ch'io pianga · Se pietà di me non senti · Da tempeste · Farewell ye limpid springs · Eternal source of light divine
Henry Purcell ~ When I am laid · O let me weep · Fantasy upon a Ground
Giovanni Battista Ferrandini ~ Se d'un Dio · Scottish Traditional ~ Auld Lang Syne

Concert Master: Friedemann Wezel

A live recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery

HD Recording · DDD · c. 76 Minutes

EUR 22, MusicYouTube MusicApple MusicNaxos Music LibraryTidalAmazon.comiTunesQobuz HDeClassical HDPresto Music HDE-Onkyo HDReview

A rich and warm voice in a splendidly recorded and produced release

Sarah Wegener enthralls listeners with the richness and warmth of her voice and approaches every role in a chamber musical way. She regularly works with Kent Nagano, Philippe Herreweghe, Thomas Hengelbrock, Heinz Holliger, Michael Hofstetter and Frieder Bernius. She studied with Professor Jaeger-Bohm in Stuttgart and took part in master classes with Dame Gwyneth Jones and Renee Morloc.
Here, Sarah performs with the Ensemble Il Capriccio arias and cantatas from the baroque era, thematically enhanced with modern compositions. The release documents a concert at the church of the German UNESCO World Heritage Site Maulbronn Monastery in Germany 2015, splendidly recorded and produced by Andreas Otto Grimminger and Josef-Stefan Kindler for their series "Maulbronn Monastery Edition".

Presto Classical, November 2016


***** Exquisite piece, used for HRH's Harry and Meghan Wedding!

"Ode for the Birthday of Queen Anne, HWV 74" was used as processional for HRH's Harry and Meghan Wedding!
I fell in love with this aria when Prince Harry and Duchess Meghan used it as the processional for their wedding. After researching it, the context of the lyrics actually fits quite well with the Song of Solomon scripture reading of earthly wonder of love and Bishop Curry's animated homily concerning love's redemptive power toward heavenly peace on earth! In Handel's / Queen Anne's era of "the divine right of kings" (queen, in this case), this piece credits her Majesty with bringing about said "heavenly peace on earth", going into some detail in so doing, speaking of the lion lying down with the lamb, etc. I haven't heard if the "Ode" was chosen with this knowledge, or if it is a most remarkable irony. The planning for their wedding being spectacular as it was, I suspect it is the former. Whatever the case, while haunting, it is a most beautiful piece of classical music and I'm so grateful to Harry and Meghan for bringing it back to public attention in this way!

Customer Review on, Juni 17, 2018

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