Chamber Music

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Soundscape Rastatt Favorite Palace: GallantrySoundscape Rastatt Favorite Palace: Gallantry
Soundscape Rastatt Favorite Palace
Galanterie · Gallantry

The Quantz Collegium plays
Concertos for Flute, Viola, Strings & Basso continuo:

Christoph Graupner (1683-1760): Concerto for Viola in D Major, GWV 314

Friedrich Wilhelm Heinrich Benda (1745-1814): Concerto for Flute in G Major, Op. 4.1

Georg Philipp Telemann (1681-1767): Concerto for Viola in G Major, TWV 51:G9

Christoph Graupner (1683-1760): Concerto for Flute & Viola in D Minor, GWV 725

Artistic Director: Jochen Baier

A live recording from Rastatt Favorite Palace in Germany

HD Recording · DDD · Duration: c. 59 Minutes


CD
EUR 22,00SpotifyDeezerNapsterYouTube MusicApple MusicAmazon.com MusicNaxos Music LibraryPrimephonicTidalAmazon.comiTunesQobuz HDPresto Classical HDHD TracksPro Studio Masters HDStaatliche Schlösser und Gärten Baden-Württemberg

The Rastatt Favorite Palace in Germany

This concert took place in the "Sala Terrena" (Garden Hall) of Rastatt Favorite Palace (Schloss Favorite Rastatt) in Germany. The Palace is the oldest German "porcelain palace" and the only one to survive almost unchanged to this day. The palace and the garden are one of 60 historic monuments in the Germany's Southwest. The "State Organisation for Palaces and Gardens of Baden-Württemberg" (in German: "Staatliche Schlösser und Gärten Baden-Württemberg") makes accessible, communicate, develops and preserves these state-owned historic monuments with the aim of preserving the authenticity of the cultural heritage, filling them with life and preserving them for future generations. Detailed information about these unique "Soundscapes" can be found at: www.schloesser-und-gaerten.de


Review

***** A memorable mash-up

A musical revolution occurred in about 1720, with the "style galant" replacing the more learned and complicated music in vogue before then. K&K Verlagsanstalt, which specializes in audiophile recordings made in historic churches and palaces, has put together a winning project here, with the venerable Quantz Collegium (established in 1936) performing highly appealing music from the Garden Hall of the Rastatt Favorite Palace in Baden-Württemberg. Recorded at two live concerts, we have here four concertos for viola or flute, or both, by Graupner, Telemann and FWH Benda, all written in the accessible, tuneful new style. Mention should be made of Josef-Stefan Kindler's superb photos in the CD notes, which I at first took for paintings in the Rococo style of Tiepolo. They capture both the spirit of the original music and venue and that of the Quantz Collegium and K&K's Historically Informed reconstructions.
"Every current of fashion or of worldview", says Walter Benjamin in The Arcades Project, "derives its force from what is forgotten." Three centuries on, the stripping down of J. S. Bach's erudite polyphonic puzzles can seem, according to one's sensibilities or mood, either a vital breath of fresh air or a savage dumbing down for the kind of mindless 18th century twits personified by Hugh Laurie's Prince George in Blackadder's Third Series. Luckily we can still take pleasure in the simple joys of melody and a direct and honest, if sometimes guileless, clarity. This music is well-crafted, but the strongest movements, those in Telemann's Viola Concerto especially, can seem very much self-aware. It won't be long before the streamlining process leads to a new round of mannerist complexities.
Though one won't find the final degree of authentic style from the Quantz Collegium, including the three soloists, flutist Jochen Baier and violists Agata Zieba and Killian Ziegler, there is much to admire in these performances. The admirably spare technology and truly galant way of playing combined with the elaborate costumes and the rococo porcelain excesses of the venue make for a memorable mash-up.

Dean Frey on several-instruments.blogspot.com and on Arkiv Music

String Quartets by Veress & BeethovenString Quartets by Veress & Beethoven
Veress & Beethoven
String Quartets
The Orpheus Quartet plays
Sandor Veress: String Quartet No. 2
Ludwig van Beethoven: String Quartet in E Minor, Op. 59, No. 2 "Rasumovsky Quartet No. 2"
Franz Schubert: Stringquartet in C minor, D 703
Charles-André Linale - 1st Violin · Emilian Piedicuta - 2nd Violin
Emile Cantor - Viola · Laurentiu Sbarcea - Cello
A concert recording from the German
Unesco World Heitage Site Maulbronn Monastery
DDD · c. 60 Minutes
CD
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A terrific performance...

A terrific performance and the equally rare chance to hear one of Europe's most thoughtful Ensembles. Sándor Veress has been overshadowed by his Hungarian compatriots, but on the rare occasions when I encounter his music I always find it worth hearing. His First Quartet, premiered in Prague in 1935 but written four years earlier, is demonstrably from the same soil as Bartók and Kodály, but quite individual. Its first movement is in slow-fast-slow form, after which comes an Andante and finally a highly rhythmic Vivo. The German based Orpheus Quartet gives a terrific performance to end this concert, recorded live in the convent at Maulbronn... The disc is worth pursuing for the rare Veress and the equally rare chance to hear one of Europe´s most thoughtful ensembles. Since the disc was made, the Orpheus has changed its second violinist and we have had the appalling news of the death of leader Charles-André Linale.

Tully Potter, The Strad UK

Review

***** A real feeling of being in the concert

I first heard the Orpheus Quartet in Spain and have collected their studio recordings. I was eager to hear them again, and K&K's series of live concert recordings from Maulbronn has given me an opportunity to hear how they were playing two years on. However, whilst writing this review, I am saddened to learn from the Orpheus Quartet website that their leader, Charles-André Linale, was killed in a car crash last month. Chamber music is given in the lay refectory, and reverberation is long during pauses after Beethoven's sf chords, but you soon get used to that, and it is more than compensated for by the bloom on the sound - you have a real feeling of being there with the audience. The Orpheus four have exactly the right feeling for the not-easy Schubert Quartettsatz and Beethoven's Op. 59/2, which can be a long haul; with all repeats, it was gripping from beginning to end. In this June 2002 concert their novelty was a quartet by Sandor Veress, an excellent composer heard infrequently in UK. Without any studio editing, the accuracy of these performances is remarkable and testifies to the good health of this top string quartet in what, it transpires, will have been one of their last recorded concerts with their multinational founder members; the exceptional performance of the Beethoven a worthy memorial for Charles-André Linale.

Andy Smith on Amazon.com

Vol. 08: The most beautiful Concert Highlights 2005-2006Vol. 08: The most beautiful Concert Highlights 2005-2006
The 20th Anniversary of the Maulbronn Monastery Edition
The most beautiful Concert Highlights
from Maulbronn Monastery 2005-2006

The 50th Anniversary of the Maulbronn Monastery Concerts
Anniversary Series, Vol. 8

Highlights from:
George Frideric Handel: Messiah, HWV 56 (September 24 & 25, 2005)
The concert "Baroque in Blue · A Crossover between Early Music & Jazz" (June 3, 2005):
Ferdinand Donninger: Musical idea of a sea battle
Michel-Richard Delalande: Concert de Trompettes
Girolamo Fantini: Trumpet Sonata No. 4 "Detta del Saracinelli"
The concert "Hosanna in excelsis · Music & Poetry in the Middle Ages" (June 5, 2005):
Nikolaus Apel Codex: Psalm 115: "Nicht uns, o Herr, nicht uns..."
c. 1300: Nova laude, terra, plaude... · 14th Century: Chaldivaldi
Alfonso el Sabio: Praeludio: "Santa Maria amar..."
Excerpts from the concert "Musica Sacra · De Maria Virgine" (May 18, 2006):
Mikhail Glinka: Kheruvimskaya (Cherubim's Song) · Anton Bruckner: Ave Maria
George Frideric Handel: Dignare from the Te Deum in D Major, HWV 283 "Dettingen"
Johann Sebastian Bach: Jesu, meine Freude · Dietrich Buxtehude: Cantate Domino canticum novum
Highlights from the piano recital "Grand Piano Masters · Carnaval" (May 25, 2006):
Wolfgang Amadeus Mozart: Piano Sonata No. 12 in F Major, K. 332 Franz Schubert: Piano Sonata No. 16 in A Minor, Op. 42, D. 845 Robert Schumann: Excerpts from Carnaval, Op. 9 "Little Scenes on Four Notes"
Live recordings from the German UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Duration: c. 103 Minutes
Digital Album · 35 Tracks · incl. Digital Booklet
FILES
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Vol. 12: The most beautiful Concert Highlights 2010-2011Vol. 12: The most beautiful Concert Highlights 2010-2011
The 20th Anniversary of the Maulbronn Monastery Edition
The most beautiful Concert Highlights
from Maulbronn Monastery 2010-2011

The 50th Anniversary of the Maulbronn Monastery Concerts
Anniversary Series, Vol. 12

Highlights from

Spohr: The Last Judgement, WoO 61 (June 12 & 13, 2010)

The concert "The Period of Time" (June 20, 2010):
Schop: O Ewigkeit, du Donnerwort & Lachrimae Pavaen
Telemann: Viola da Gamba Sonata, TWV 41:G6 & Die Zeit, TWV 20:23
Carl Philipp Emanuel Bach: Am neuen Jahre: Er ruft der Sonn und schafft den Mond

The Choral Concert "The Night shines as the Day" (July 3, 2010):
Whitacre: Sleep · Brahms: Guten Abend, gut Nacht (Wiegenlied, Op. 49 No. 4)

The Concert "Concert for Strings, Flute & English Horn" (July 9, 2010):
Tchaikovsky: Souvenir de Florence, Op. 70 · Stephenson: Concerto for Cor Anglais & String Orchestra

The Piano Recital "Grand Piano Masters ~ Dreamscenes" (June 4, 2011):
Schumann: Fantasy Pieces for Piano, Op. 12 · Brahms: Piano Sonata No. 3 in F Minor, Op. 5

Brahms: A German Requiem, Op. 45 ("London Version") (October 1 & 2, 2011)

Live recordings from the German UNESCO World Heritage Site Maulbronn Monastery

HD Recordings · DDD · Duration: c. 129 Minutes
Digital Album · 24 Tracks · incl. Digital Booklet

FILES
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